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Tracklist

1, Sunday Special - Jimmy Mundy
2. Big Fat Mama - Lucky Millinder
3. Once Too Often - Ella FitzGerald
4. Peek-a-boo - Karl George Octet
5. Bottoms Up - Illinois Jacquet
6. Be-baba-leba - Helen Humes
7. Why Not - Lucky Thompson
8. My Baby's Business - Jimmy Rushing
9. She's Funny That Way - Illinois Jacquet
10. Minor Romp - Emmett Berry's Hot Six
11. Mr. Blues Jumped The Rabbit - Wynonie Harris
12. Six-foot-two Blues - Jimmy Witherspoon
13. My Blue Heaven - Eddie ‘Lockjaw’ Davis
14. Lemonade - Louis Jordan
15. I'll Be Glad When You're Dead You Rascal - Louis Armstrong
16. Bad Luck Child - Joey Thomas
17. Prevue - Paul Quinichette
18. Air Mail Special - Ella FitzGerald
19. At The End Of The Day - Bill Kenny
20. Carioca - Coleman Hawkins
21. I Don't Want To Set The World On Fire – Morris Lane
22. I Tin Whistle At You - Hot Lips Page
23. School Of Love - Arthur Prysock
24. Lion's Den - Vic Dickenson
25. The Horn With Two Mouthpieces - The Three Baritones
26. Suffering With The Blues - Little Willie John
27. Open The Door Richard! - Bill Doggett
28. Rough Ridin - Ella FitzGerald

Bill Doggett

Bill Doggett In Session CD • PRE-ORDER

Bill Doggett In Session CD • PRE-ORDER

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Bill Doggett In Session CD

NEW RELEASE COMING SOON • PRE-ORDER NOW

Bill Doggett In Session shines a long-overdue spotlight on one of the great unsung architects of postwar American music.
Before his own smash hit “Honky Tonk” made him a household name, Bill Doggett was the go-to pianist, organist, and arranger for an astonishing roll call of talent.
This collection captures Doggett in his natural habitat - the studio - lending swing, grit, and gospel-drenched groove to recordings by artists including Louis Jordan, Wynonie Harris, Lucky Millinder, Jimmy Witherspoon, Arthur Prysock and Little Willie John.
Spanning the 1940s through to 1962, In Session moves effortlessly from big band swing to jump blues, early R&B, and proto-rock ’n’ roll.
This selection proves Doggett was a master of feel and finesse.
His playing is never intrusive, but always essential - the glue that binds the horns, the engine under the vocals, the pulse that makes the music move.
These recordings document Bill Doggett not as the star attraction but as the musician other musicians relied on.
The result is a vibrant portrait of a craftsman at work during a pivotal era in American music, heard here exactly where he belonged: in the studio and in the groove.

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